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Why I Can No Longer Support Steven Anderson

After careful consideration, I have made the difficult decision to no longer consider myself a friend or supporter of Steven Anderson or Faithful Word Baptist Church. While this choice has not been easy, I feel it is necessary to explain my reasons, especially given my long-standing connection with him and his church since 2012.

I fully expect Steven Anderson and his followers to respond to this post with personal attacks, accusations of betrayal, and attempts to discredit my character, my work, and my motives. I know they will call me a liar, claim I'm only doing this for attention or money, and try to dismiss my experiences as bitterness or falsehoods. They will resort to threats, intimidation, and outright harassment, just as they have done to others who have spoken out. Some will go even further, declaring that I was never saved to begin with, or labeling me a "reprobate" for daring to challenge their leader.

Despite knowing all this, I still feel compelled to speak the truth. Silence would be easier, but allowing fear of retaliation to dictate my actions would mean turning a blind eye to wrongdoing.

This is not about revenge or personal gain—it's about accountability, honesty, and refusing to be complicit in the harm that has been done. No amount of attacks will change the reality of what I've seen and experienced, and I believe it is my responsibility to share it. Remaining silent would imply support that I no longer believe is warranted. While I deeply appreciate the positive aspects of his ministry and the biblical truths he preaches, I can no longer align myself with Steven Anderson or the New IFB movement.

A Promising Beginning

I first encountered Steven Anderson's teachings in 2008 through a sermon on end-times Bible prophecy. His interpretation of the Book of Revelation was fascinating and unlike anything I had heard before, which sparked an interest that led me to explore his teachings further.

By 2009, while filming What in the World Are They Spraying, I realized the pre-tribulation rapture was false. I wanted to create the first documentary to challenge this widely accepted doctrine.

In 2010, while working on The Great Culling, I visited Faithful Word Baptist Church to pitch the idea of creating what we know today as After the Tribulation. Steven was enthusiastic about the idea and mentioned that he was familiar with my previous documentary, What in the World Are They Spraying?, which was distributed by Infowars. Thanks to Infowars' massive reach, the film had gone viral, reaching millions of viewers and becoming a financial success.

After the release of The Great Culling, I began raising funds and invested my earnings from those two projects into my next films. I hired a full-time editor to assist me with The Great Culling: Our Food and started filming with Steven for After the Tribulation in early 2012.

While living in Los Angeles, I directed, produced, shot, and edited After the Tribulation, The Book of Revelation Series, New World Order Bible Versions, and most of Marching to Zion. I dedicated all my time, finances, and creativity to these films in support of a cause I truly believed in. My connection to Alex Jones and Infowars proved invaluable, amplifying awareness of these movies far beyond what I could have achieved on my own. Infowars' promotion brought these critical topics to a wider audience and played a key role in their financial and viral success.

On the surface, everything was progressing remarkably well. The films were making waves, the messages were resonating with audiences, and the projects I believed in so deeply were gaining traction. Yet, despite this outward success, the foundation of my collaboration with Steven was beginning to show signs of strain.

Anderson vs. Infowars

Around 2015, Infowars abruptly removed all of my films from their store—every title, all at once and without any explanation. The timing was impossible to ignore. Steven had released a YouTube video "exposing" Alex Jones just days earlier. I never understood why he would do that, especially knowing that Infowars was my largest distributor and a critical source of income for me. My entire catalog vanished from their website almost immediately after his video went live. The financial impact was immediate and severe, cutting off what had been my primary source of revenue.

During that time, I couldn't help but question the motive behind it all. Why did Steven decide to go after Alex at that moment? He framed it as a matter of principle, as if speaking out was an obligation. But was it really? Looking back, the pattern became undeniable: my financial stability was increasingly tied to a single source—Steven's audience and influence. Any attempt to build something independent of that sphere seemed to quietly slip away.

The Decline of Our Relationship

During the production of Babylon USA, I began noticing subtle yet troubling changes in my relationship with Steven. One incident, in particular, stood out: While reviewing the final cut of the film, Steven expressed his dissatisfaction with the news clip intro. He insisted that it was too long and wanted me to change it. Initially, I complied by removing one or two clips, but he wanted to cut almost the entire segment. I strongly disagreed with him, feeling that the scene was important to uphold my vision for the film. To me, the opening credits sequence was well-crafted, and his suggested changes were unnecessary.

Although this disagreement seemed minor on the surface, it marked a turning point in our relationship. From that moment on, I felt a subtle yet undeniable shift. After that, Steven stopped promoting my films or offering support unless I explicitly asked for it—and even then, his efforts felt reluctant and half-hearted. Gone were the days of spontaneous social media posts to help raise funds or rally support.

This incident, while pivotal, was only one of many signs that our relationship was beginning to erode. Over time, small moments of tension and disagreement accumulated into a larger pattern of mistrust and diminishing respect.

I poured my heart and soul into producing these documentaries, organizing conferences, creating sermon series, writing books, and filming and editing podcasts—all aimed at highlighting his ministry and the beliefs of the church. It wasn't just work; it became my mission. I sacrificed time, energy, family, and even my own dreams to amplify the church's message and expand its influence, demonstrating my unwavering commitment to the cause.

But no matter how much I gave, it became increasingly clear that my efforts were neither valued nor reciprocated. The cracks in our relationship continued to widen, ultimately leading to a moment I now recognize as the breaking point.

The Breaking Point: Deported

By 2018–2019, while I was deep in post-production on Beyond Jordan and Deported, my financial situation had become dire. I had a heart-to-heart conversation with him, expressing my need for him to promote the films so I could have enough funds to finish the movies we were working on. These projects had placed me in significant debt, but they had also brought considerable attention and success to the church.

Steven always said the right things during those conversations, but his actions told a different story. Despite my efforts to communicate the seriousness of my situation, he made no tangible effort to assist. His silence felt like a betrayal, especially given my significant financial struggles. The films I had created were free online, and Steven was offering to ship DVDs to anyone who wanted a copy at no cost. I had hoped that the church, which benefited from my films' success, would support future projects, but that never happened.

As time passed, I began to see the relationship for what it truly was: manipulative and exploitative. I started to realize that I was being used. My work, passion, and sacrifices weren't about partnership or shared purpose; they were about what he could take from me without any genuine concern for my well-being or the toll it was taking on my family. This realization was a wake-up call for me.

In 2020, everything fell apart. The situation reached a breaking point after achieving a picture lock on the film Deported. When Steven watched the final edit for the first time, he noticed that I had included a curse word he had used in the film. He called me, erupting in anger, yelling and demanding that I remove the word while refusing to let me explain myself. It was a mistake on my part, something I should have caught before sending it off for post-sound. However, I had sent him several screeners prior to the post-sound process, and he had never watched any of them or provided any feedback.

His reaction was completely disproportionate. He screamed at the top of his lungs at me, yelling like a madman, declaring he would never work with me again, accusing me of using him for money, and saying that I was trying to destroy his ministry. The outburst was shocking, but it was also clarifying. I had spent years believing that my sacrifices were for a greater cause, but I finally saw the truth: I was nothing more than a resource to be used and discarded.

It was at that moment I realized the truth: my contributions, sacrifices, and commitment were never valued. The relationship had been one-sided, driven by what I could offer, without any genuine care for my well-being or the toll it had taken on me and my family.

The 2020 Debacle

The events of 2020 marked the complete unraveling of everything I had worked so hard to build. I came to a heartbreaking realization—I was done. Done with him, the church, and the exhausting cycle of giving everything while receiving so little in return.

Steven's response to the COVID-19 lockdowns, his reaction to the leaked teen chats, and our desire to be closer to family were key reasons for our decision to leave the church. Officially, my departure was amicable, but beneath the surface, I sensed tension. He never said it outright, but I knew he was unhappy with me. Still, I never spoke negatively about him or the church.

Not long after, I started receiving hate mail and noticed a drop in support from his followers and church members. Eventually, I found out he had been speaking negatively about me in private conversations and online. That was the final confirmation—whether I wanted to admit it or not, our relationship had never been what I thought it was. I was expendable.

Despite everything, I was determined to finish The Daniel Series, a project I had poured my heart into. But I was drowning—financially, emotionally, and creatively. Other urgent projects, like A City Lost and Covidland, demanded my attention and resources. As stressful as it was, The Daniel Series had to wait until after I finished those projects.

Steven's patience didn't last long. Shortly after the release and success of Covidland, his frustration grew as delays continued. He accused me of stealing from the church, claiming I took the $5,000 donation and failed to deliver the series. He falsely claimed that I spent the money on Covidland, which was a complete lie. The film was almost entirely funded by a single donor. His accusations cut deep. He even threatened to publicly "expose" me if I didn't refund the donation. I tried to reason with him, explaining that his expectations were unrealistic and reminding him of all I had done to promote the church over the years. I told him he just needed to give me more time to finish the project, assuring him that I always complete my projects, even if they sometimes take a back seat for a while. However, my words seemed to fall on deaf ears.

Desperate to make peace, I agreed to refund the money—even though doing so meant plunging myself further into debt. The funds had already been spent on production and editing, so refunding the donation wasn't just difficult; it was devastating. It meant canceling The Daniel Series entirely— a project I deeply cared about, one that represented a lot of hard work and passion.

With no other options available, I ultimately sold the rights to The Daniel Series to Stedfast Baptist Church, who took over and completed the project. Watching someone else finish it half-heartedly felt like a personal failure. However, the truth is that I was overwhelmed, unsupported, and simply out of resources. Letting go of The Daniel Series wasn't just a professional loss; it was a deeply personal heartbreak and the final blow in a long series of sacrifices that left me feeling utterly depleted.

Copyright Violations and Ongoing Disputes

After leaving the church, I noticed a significant change in how Steven managed my work. For years, I had provided DVDs to the church at cost. There was no markup or profit for me—only the printing costs—but I always personally oversaw the DVD printing to ensure the quality met my standards. I offered the DVDs at cost as a gesture of goodwill, supporting the ministry so that the messages of these videos could reach as many people as possible. I extended this arrangement exclusively to FWBC, while all other churches received DVDs at a deep discount.

However, after my departure, that arrangement had to end. I informed him that I could no longer afford to provide the DVDs at cost, but I was willing to offer them at a deep discount just like all the other churches and distributors. During this time, I also learned that he was having my DVDs printed at Disk-2-Day, a DVD replication facility in Phoenix—a decision I would never have approved. I contacted the company and told them that I did not authorize Steven to proceed with this and requested that they stop printing the DVDs immediately. Steven's response was dismissive and cold. I'll never forget his words: "Have fun trying to stop us from mass-producing this stuff."

And he meant it. Despite my ownership of the films, he began producing my DVDs through another distributor, completely disregarding our prior agreements. It felt like yet another betrayal—this time, a direct attack on my work and the years of effort I had poured into these projects.

To this day, he continues to print and distribute these DVDs without my consent. It's not just a legal issue; it's a deeply personal one. These films are a part of me—my creativity, my passion, my dedication. Seeing my work distributed without my consent is deeply upsetting, as it disregards the significant effort and resources I invested in these projects.

For clarity, each disc does say "Copy & Share This Disc," but that message was always intended to encourage individuals to make personal copies using their own DVD burners and share them freely with friends, family, or anyone interested. It was never meant to give permission for mass production, commercial sales, or unauthorized replication of the artwork and packaging. Anderson always understood this.

This ongoing violation isn't just about copyright; it's about respect—something I gave freely for years but have rarely received in return. Each DVD he prints without my permission is a painful reminder of how little my contributions, my sacrifices, and my boundaries have meant to him.

Clarification on Bible Way to Heaven Removals

Yes, I did take copyright action against a few "Bible Way to Heaven" videos. While it may seem petty, I want to explain my reasons. I truly believe that Anderson is unfit and disqualified from being a pastor. I believe the testimony of his four oldest children, and based on that, it’s clear that he is not a good representative of the gospel. He will confuse people who are being led to Christ by him because his life, his home, his marriage, and the way he conducts himself—both privately and publicly—are completely at odds with what he preaches. He has laid hands on his children, psychologically abused them alongside his wife, and that makes him unfit to be a pastor.

For that reason, I took the copyright action. There are plenty of other ways to access Bible Way to Heaven—Anderson is not the only one who has ever shared that message. Pastors like Boyle and McMurtry also have versions available online. In fact, here is a "Bible Way to Heaven" video I filmed with Pastor McMurtry. So before anyone thinks I removed the message from the internet, that’s simply not true. I removed his version because he is unfit to deliver it.

https://www.youtube.com/watch?v=Bx81L1sKujw&t=20s

Addressing Abuse

Beyond the professional disagreements and betrayals, there is a deeper and far more troubling issue that I can no longer remain silent about. I believe that Steven Anderson is disqualified from being a Pastor due to allegations of abuse from his four oldest children, who are now all out of the house.

They have all described startling and disturbing firsthand accounts of extreme emotional and physical abuse toward them and their mother, Zsuzsanna. These accounts depict a heartbreaking picture of control, intimidation, and a complete absence of love and care for his own blood. For those interested in hearing directly from his children, I encourage you to watch the interviews we produced with three of them on Rediscover Television. Links to these resources are included at the end of this message.

Confronting these allegations has been devastating. For years, I admired his passion and dedication to his ministry. I believed in the message we were trying to spread together. However, abuse—whether emotional, physical, or otherwise—is not only morally unacceptable but fundamentally incompatible with the role of a pastor. It represents a betrayal of the trust placed in him by his family, his congregation, and anyone who has sought his spiritual guidance.

Acknowledging this reality has forced me to reevaluate everything: the work we did, the values I thought we shared, and the trust I placed in him. Yet, remaining silent is not an option anymore. To ignore these truths would make me complicit.

Steven Anderson is Unfit and Disqualified

I feel a deep sense of responsibility for my role in shaping what we now know as the New IFB Movement. In light of the recent revelations and controversies surrounding Steven Anderson, I am creating a documentary that directly addresses these issues. This film will examine the rise and fall of Steven Anderson and others like him, exploring the history of the movement while also addressing the serious allegations made by his four oldest children.

Through this documentary, I aim to call believers back to the foundation of their faith—not in flawed human leaders, but in God. It is a message of resilience and renewal, encouraging viewers to reflect on the lessons learned from the rise and collapse of this movement while reaffirming their trust in God's unchanging word.

To watch the documentary trailer of our new film, Man of God, click on this link here.

Moving Forward

Today, I find myself at a crossroads, rebuilding both my life and career from the ground up. The first and most crucial step in this process is severing all ties with Steven Anderson and his ministry. For years, I made my films freely available to raise awareness and share a message I believed in. But in hindsight, my generosity only served to elevate a church I can no longer support.

It's important to clarify that these productions were not created by Faithful Word Baptist Church. While the films featured Steven Anderson, and he occasionally covered minor travel expenses or made small donations, these contributions were insignificant compared to the overall cost. The films were made possible through the hard work of Framing The World, my personal finances, and the generosity of individual donors. Nearly every dollar I earned from DVD sales went straight back into these projects—projects that ultimately benefited the church far more than they benefited me.

While I struggled financially, drowning in debt to complete these films, Steven reaped the rewards without sharing in the sacrifice. He had a worldwide platform, a growing church, and a steady stream of free content that elevated his name—yet he never once considered the toll it took on me and my family.

Like any professional—whether an electrician, plumber, or pastor—I needed to earn a living. My only income came from DVD sales. While I was glad the gospel was being shared through Steven's free distribution of DVDs, the financial burden on my family was crushing. Looking back, I see how unsustainable that arrangement had become. I ignored red flags, convinced myself that my struggles were justified for the sake of a cause. But in the end, I was left with nothing—no financial security, no genuine support, and no appreciation for the sacrifices I had made.

The truth is, while I poured countless hours, creativity, and resources into these films, Steven neither created them nor funded them. The films are my work—my passion—and they are legally protected under copyright. I have begun the difficult but necessary process of removing them from free online platforms. The church has profited enough from my labor. This decision has been a long time coming, but it is essential for my personal and professional growth. I am focusing on work that aligns with my values—work defined by integrity and purpose.

This is not just about protecting my work; it's about protecting myself and my family. It's about stepping into a new chapter—one where my efforts are valued, my sacrifices are respected, and my work reflects principles I can stand behind. Letting go of the past isn't easy, but it's necessary. I am ready to move forward, leaving behind a chapter that no longer serves me.

Paul Wittenberger

Framing the World, LLC

2/14/25